Robert Fripp Pdf

  
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Robert Fripp & The League Of Gentlemen 1980-07-19 My Fathers Place Roslyn, NY Audio Preview. LeagueOfGentlemenMFP Tray.pdf download. ¶ “Fripp’s book is about origins: of life, the cosmos, growing complexity in living things. It knits many strands together to suggest that humanity must once again reintegrate itself with Nature. Fripp is eclectic enough to pull it off” The Professional Writers Association of Canada (PWAC). (Full text, PDF).

Please enjoy some free transcriptions. New lifts appear occasionally, so be sure to check again in the future! Don’t see anything you like? Then get in touch about custom transcriptions at reasonable rates.

Bass
Solos:
Charles Mingus – “Tensions”
Janek Gwizdala – “Erdnase” (head and bass solo)
Janek Gwizdala – “To Begin”
Snarky Puppy (Michael League) – “Young Stuff”
Tom Kennedy – “Made in New York”
Vulfpeck (Joe Dart) – “Wait for the Moment” (live at 420 fest)

Bass lines:
Avishai Cohen – “Continuo” (Intro)
Big Wreck (Dave McMillan) – “Ghosts”
Boards of Canada – “Kaini Industries”
Daft Punk (Nathan East) – “Get Lucky”
David Bowie (Trevor Bolder) – “Ziggy Stardust”
Earth Wind & Fire (Verdine White) – “Jupiter”
The Four Tops (James Jamerson) – “I Can’t Help Myself (Sugar Pie Honey Bunch)”
Jordan Rakei – “Rolling Into One”
Muse (Christopher Wolstenholme) – “Hysteria”
Red Hot Chili Peppers (Flea) – “Dani California”
Red Hot Chili Peppers (Flea) – “Dark Necessities”
Red Hot Chili Peppers (Flea) – “The Righteous & the Wicked”
Rush (Geddy Lee) – “Tom Sawyer”
Talk Talk (Paul Webb) – “Living in Another World”
Vulfpeck (Joe Dart) – “1612”
Vulfpeck (Joe Dart) – “Dean Town”

Guitar
Aaron Parks (Mike Moreno) – “Nemesis” (solo)
Adam Rogers – “Was” (guitar solo)
Julian Lage – “Love Hurts” (solo)
King Crimson (Robert Fripp) – “Fracture” (moto perpetuo)
Kurt Rosenwinkel – “A Shifting Design” (solo)
Pasquale Grasso – “In the Mood for a Classic” (solo)

Piano
Paul Bley – “When Will the Blues Leave” (solo)

Other
Yellowjackets – “Mofongo” (Bob Mintzer EWI solo) C Instruments / Bb Instruments

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Original file ‎(1,239 × 2,947 pixels, file size: 217 KB, MIME type: application/pdf)

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Description
English: 1The new standard tuning of Robert Fripp and his Guitar Craft (Guitar Circle)—also called C-major pentatonic tuning or Guitar Craft tuning ('Crafty' tuning). The diagrams provide basic chords for a beginning guitarist. With the accompanying audio files (especially the WAV file), the chords sample the harmonic palette of new standard tuning.
Date (original upload date)
SourceNo machine-readable source provided. Own work assumed (based on copyright claims).
AuthorNo machine-readable author provided. Kiefer.Wolfowitz assumed (based on copyright claims).

Summary[edit]

Introduction[edit]

The new standard tuning of Robert Fripp and his Guitar Craft (Guitar Circle)—also called C-major pentatonic tuning or Guitar Craft tuning ('Crafty' tuning).

Contents[edit]

The diagrams provide basic chords for a beginning guitarist. With the accompanying audio files (especially the WAV file), the chords sample the harmonic palette of new standard tuning.

New Standard Tuning - C major scale harmonized in sevenths and triads, arpeggios WAV
PNG file of guitar chords
The following is an archived debate. Please do not modify it.
PDF file of guitar chords
The following is an archived debate. Please do not modify it.

Discussion[edit]

New standard tuning offers thirds-based chords with simple fingerings; in particular, triads can be simply inverted with little left-hand movement. Since tertian triads and seventh chords are are the fundamental chords of conventional music, new standard tuning can be considered by guitarists wishing to play conventional music, for example jazz standards.

Robert Fripp Pdf

Coda: Caveats and acknowledgments[edit]

The acknowledgments to Robert Fripp, Guitar Circle, and Guitar Craft are for only identification purposes. I have no affiliation with Fripp or Guitar Circle, and I have not sought approval of this work (which has not received review). In 2014 I am delighted to note that Fripp's blessings included this 2013 benediction on NST popularization:

'I love the idea of the NST leaving the cloister and being useful in the wider world. Let’s give the NST a helpful shove on its way.'

— Robert Fripp, in: Robert Fripp's Diary (Thursday, 14th November 2013) (html). Discipline Global Mobile (November 14 2013). Retrieved on 30 July 2014.

Robert Fripp Pdf Library

The music was typeset with Guitar Pro 6, which generated the associated image (png and pdf) and audio (wav and midi) files. The first (2013) version was typeset using GNU Lilypond (via the Frescobaldi interface for editing).

Copyright Kiefer.Wolfowitz 2013, 2014. Uploaded copyrighted text to WMF under (2013) Creative Commons 3.0 SA BY license and (2014) CC 4.0 SA BY license. Otherwise, all rights reserved.

Licensing[edit]

I, the copyright holder of this work, hereby publish it under the following license:

This file is licensed under the Creative CommonsAttribution-Share Alike 3.0 Unported license.
You are free:
  • to share – to copy, distribute and transmit the work
  • to remix – to adapt the work
Under the following conditions:
  • attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  • share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.

File history

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Date/TimeThumbnailDimensionsUserComment
current15:46, 27 September 20141,239 × 2,947 (217 KB)Kiefer.Wolfowitz(talk contribs)Added runs of 8ths and 16ths, which showcase range and glorious harmonics (and which have rhythmic interest).
16:38, 20 September 20141,239 × 2,658 (191 KB)Kiefer.Wolfowitz(talk contribs)simplified diagrams, improved mix
07:27, 19 September 20141,239 × 2,658 (193 KB)Kiefer.Wolfowitz(talk contribs)For 3 triads (C, G, and F major) and the major--minor seventh chord with dominant function (G7), ascending sixteenth-notes cover the chordal notes.
10:03, 27 August 20141,239 × 1,518 (105 KB)Kiefer.Wolfowitz(talk contribs)Focus exposition on major scale on C, with its major triads and dominant sevenths, in conventional arpeggiations. Arrangement for three guitars---playing bassline (rhythm), harmony (tenor/alto range), and melody (soprano)---showcasing range of NST an...
12:56, 29 July 20141,239 × 6,743 (164 KB)Kiefer.Wolfowitz(talk contribs)This was created with Guitar Pro 6 (not GNU Lilypond). Associated .png, .wav, and .midi files shall be uploaded. Triads: Easier to understand description of triads in root-bass, first, and second inversions, followed by a conceptual template for all s...
10:24, 8 November 20131,240 × 1,753, 2 pages (457 KB)Kiefer.Wolfowitz(talk contribs)The new standard tuning of Robert Fripp's Guitar Craft (Guitar Circle)---also called C major pentatonic tuning or Guitar Craft tuning. *Open notes *Overtone series *C major scale in second position (with one index finger stretching to fret 1 for F)...

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